|
|
Prague sculpture exhibitions 1898 - 1916. A contribution to the theme of gallery sculpture presentation
Cermanová, Jana ; Štaif, Jiří (advisor) ; Blümlová, Dagmar (referee) ; Lenderová, Milena (referee)
Jana Cermanová Prague sculpture exhibitions 1898 - 1916 A contribution to the theme of gallery sculpture presentation Dissertation synopsis Sculpture as an artistic discipline experienced a dynamic rise in the Czech lands at the turn of the 19th and 20th centuries. This followed the much admired example of France, where Charles Morice, referencing Rodin and his pupils, asserted the dominance of modern sculpture over painting in 1910. Thanks in large part to major art world figure and educator J. V. Myslbek, the Czech lands also saw the development of a highly ambitious group of sculptors poised to address a growing social demand for monumental works (particularly memorials) that recaptured the city's public space. Sculptors worked on architectural commissions for decorative sculptures and on orders for funerary objects, which guaranteed them an income and enabled them to pursue their own creative work. However, it was chiefly this "flood of monuments" that attracted public attention to sculptors and garnered them social prestige. Sculptors became more deeply involved in art events and played a major role in addressing contemporary art world issues. The public boom enjoyed by sculpture carried over into exhibition halls, where ...
|
|
|
Prague sculpture exhibitions 1898 - 1916. A contribution to the theme of gallery sculpture presentation
Cermanová, Jana ; Štaif, Jiří (advisor) ; Blümlová, Dagmar (referee) ; Lenderová, Milena (referee)
Jana Cermanová Prague sculpture exhibitions 1898 - 1916 A contribution to the theme of gallery sculpture presentation Dissertation synopsis Sculpture as an artistic discipline experienced a dynamic rise in the Czech lands at the turn of the 19th and 20th centuries. This followed the much admired example of France, where Charles Morice, referencing Rodin and his pupils, asserted the dominance of modern sculpture over painting in 1910. Thanks in large part to major art world figure and educator J. V. Myslbek, the Czech lands also saw the development of a highly ambitious group of sculptors poised to address a growing social demand for monumental works (particularly memorials) that recaptured the city's public space. Sculptors worked on architectural commissions for decorative sculptures and on orders for funerary objects, which guaranteed them an income and enabled them to pursue their own creative work. However, it was chiefly this "flood of monuments" that attracted public attention to sculptors and garnered them social prestige. Sculptors became more deeply involved in art events and played a major role in addressing contemporary art world issues. The public boom enjoyed by sculpture carried over into exhibition halls, where ...
|
guest ::
